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| 从电影《活着》与《入殓师》中浅析中日的生死观差异 摘 要 本文从中日两部经典电影为视角展开生死观差异的讨论。第一部电影是张艺谋执导的电影《活着》，影片以中国内战和新中国成立后历次政治运动为背景，通过男主人公福贵一生的坎坷经历，反映了一代中国人的命运。主人公福贵一生经历着团聚、分别和死亡，在这漫长一生的尾声中抱着遗憾、孤独和对生的渴望继续活着。这部电影向我们传达出的是对死亡的不屈抗争与对生命价值的强烈渴望。第二部电影是泷田洋二郎执导的《入殓师》，主要讲述了日本入殓师的生活，以一名入殓师新手的视角，去观察各种各样的死亡，凝视围绕在逝者周围的充满爱意的人们的故事。在成为一名入殓师后，主人公小林慢慢的从一开始对死亡的恐惧转变成对这份工作的敬畏和热爱。这部电影向我们传达的是对生命价值的尊重以及对死亡的敬畏和尊重。本文以《活着》与《入殓师》的故事为探索起点，从故事情节、主人公心路历程等角度出发来探究中日生死观的差异，并进一步阐述这些差异形成的原因。本文希望能为深入了解中日生死观差异提供借鉴与帮助。 本文分为三个部分。第一部分作为绪论，对本文研究意义和研究目的进行阐述，以及对两部电影进行简要介绍。通过查阅相关文献和资料，总结两部电影中各自关于生与死的态度和观念。 本文的第二部分分为两章，第一章为生死观的对比探究，从故事剧情中出现的关于生和死的事件中找到关于生与死态度的相似点以及不同点，最后将从主人公的心路历程为线索展开对比探究。第二章是从宗教和家庭观念两个角度对中日生死观差异形成的原因的探索。 第三部分为结论，对论文主题和意义进行总结， 以期进一步深化对中日两国生死观差异的理解和认知，并倡导人们应具备正确健康的生死观。 关键词：生死观；差异；原因；启示 ABSTRACT This paper discusses the differences in the concept of life anddeath from the perspective of Chinese and Japanese classic films. The first film is To Live directed by Zhang Yimou,which reflects the fate of a generation of Chinesepeople through the bumpy life experiences of the hero Fugui against the background of China’s civil war and various political movements after the founding of the people’s Republic of China. The protagonist Fugui experiences reunion, parting and death all his life,and continues to live with regret, loneliness and longing for life at the end of this long life. What this film conveys to us is the unyielding struggle for death and the strong desire for the value of life. The second film, Okuribito directed by Yojiro Sada,is mainly about the life of the Japanese undertaker,observing all kinds of deaths from the perspective of a novice undertaker and gazing at the stories of loving people around the dead. After becoming an undertaker,the protagonist Kobayashi slowly changed from his initial fear of death to his awe and love for the job. This film conveys to us respect for the value of life and awe and respect for death. Taking the stories of to live and Okuribito as the starting point,this paper explores the differences in the views of life and deathbetween China and Japan from the point of view of the plot and the mental process of the protagonist, and further expounds the reasons for these differences. This paper hopes to provide reference and help for an in-depth understandingof the differences in the concept of life and death between China and Japan. This paper is divided into three parts. As an introduction, the first part expounds the research significance and significance of this paper, as well as a brief introduction to the two films. By consulting the relevant literature and materials,this paper summarizes the respective attitudes and concepts of life and death in the two films. The second part of this paper is divided into two chapters.The first chapter is the comparative exploration of the concept of life and death, which finds the similarities and differences about the attitudesbetween life and death from the events about life and death in the story. Finally, it will make a comparative exploration from the protagonist’s mental process as a clue. The second chapter explores the reasons for the differences between Chinese and Japanese views on life and death from the perspectives of religion and family concepts. The third part is the conclusion,which summarizes the theme and significance of the thesis,in order to further deepen the understanding of the differences in the concept of life and death between China and Japan, and advocate that people should have a correct and healthy concept of life and death. Key words: View of Life and Death; Differences; Causes; Revelation 目录 Chapter One Introduction 6 1.1 Research Background 6 1.2 Introduction to To Live and Okuribito 7 1.3 Significance of the Thesis 9 Chapter Two Literature Review 10 2.1 Previous Study on the Film To Live 10 2.1.1 A Strong Desire for Life 10 2.1.2 The Fight Against Death 10 2.2 Previous Studies on the Film Okuribito 11 2.2.1 Respect for the Value of Life 11 2.2.2 Reverence and Respect for Death 12 Chapter Three Comparisons in Life and Death in the Films 13 3.1 A Succession of Deaths 13 3.2 A Persistence in Life 13 3.3 Resistance to Death and Respect for Death 14 3.4 The Changes of the Protagonists’ Mental Process 16 Chapter Four Reasons for the Formation of Japanese and Chinese Views on Life and Death 18 4.1 Religious Beliefs 18 4.2 Family Concepts 19 Chapter Five Conclusion 21 References 22 |
