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从新旧大陆的文化错位解析《黛西·米勒》中女主人公的悲剧【英语论文】

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从新旧大陆的文化错位解析《黛西·米勒》中女主人公的悲剧【英语论文】

A Brief Analysis on Cultural Dislocation between the Old World and the New World in Daisy Miller
 
Abstract
 
     Henry James is one of the most well-known American novelists in the 19th century, whose literary influence is known across the Atlantic, and is hailed as the uncrowned ambassador of culture between America and Europe. The literary works of his whole life are considerably abundant, which is mainly around the "international theme" -- the cultural conflict and integration between the Old World and the New World. With its early famous work Daisy Miller as an example, studying the relationship between cosmopolitan upbringing and his works, from the perspective of cultural dislocation and combined with further analysis to sources of heroine’s tragedy in the novel text analysis which reveals the character conflict between the Atlantic-- confrontation between American innocence and European sophistication. Due to the disparity in regional culture, the feudal hierarchical and female morality, which builds a great gap between both sides of the Atlantic, it is the main source of the tragic end. In view of the causes of cultural conflict in European and American cultures, holding tolerant understanding is the first step for achieving the successful intercultural communication, which is of great significance to the increasingly frequent communication of the global village.
 Key words: Henry James; Daisy Miller; tragedy source; dislocation

Contents

Abstract in English
Abstract in Chinese
Contents
Chapter 1 Introduction
Chapter 2 Literature Review
Chapter 3 The Development of Henry James’ s Cosmopolitan
    3.1 An American British’s Eyes to Cross-culture
3.2 Henry James and Daisy Miller
Chapter 4 The Sources of Heroine’s Tragedy
4.1 Tragic Fate Embodied in Character
4.1.1 The Innocent in the Old World
4.1.2 The Shadow of Patriarchal Society
4.1.3 The Indifference of the Old Force
   4.2 Cultural Divergence from Both Sides of the Atlantics
      4.2.1 The Incompatible Setting
4.2.2 The Sense of Hierarchy
4.2.3 Feminine Morality
Chapter 5 Conclusion
   Notes
   Bibliography
   Acknowledgements