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| 谈贾樟柯电影风格
摘 要
贾樟柯是第六代“青年导演”的代表，也是最关心问题的电影作家之一。他的作品使用现实的叙事元素，通过记录真实生活的真实形象，反映社会生活的原始外观，提供一种非常真实的社会体验。他独特的现实主义叙事风格、真实简单的人物、深刻的现实主义作品等，让人们欣赏。《小武》是贾樟柯独立制作的故事片，电影风格简单，基本保持了纪录片风格的拍摄和叙事风格：粗糙、简单、逼真。影片中没有复杂的叙事技巧，导演在叙事中尽可能地隐藏了自己的存在。在整部电影中，观众很容易弄清楚电影的结构：开始——的友谊——爱——的感情。故事本身并没有太多的野心和深刻的哲学思想，它似乎只是一个相当熟悉的情感故事，这是一个主流的社会情感体验，当然，我不得不说，这些也是人类普遍的情感共鸣。
作为第六代导演的主角，贾樟柯以客观、辩证的视角展现了自己独特的道德感受，并以自己独特的电影风格屹立在世界电影林中。
关键词：贾樟柯；电影风格；叙事元素；人物形象；色彩基调
Abstract
Jia Zhangke is the representative of the sixth generation of"young directors" and one of the most concerned film writers. His works use realistic narrative elements to record the real image of real life,reflect the original appearance of social life, and provide a very real social experience. His unique realistic narrative style,real and simple characters and profound realistic works are appreciated by people. Xiaowu is a feature film independently produced by Jia Zhangke.The film style is simple,and basically maintains the documentary style of shooting and narrative style: rough, simple and realistic. There is no complicated narrative technique in the film,and the director hides his existence as much as possible. In the whole film, the audience can easily understand the structure of the film: the beginning - friendship - Love - feelings. The story itself doesn't have much ambition and profound philosophy.It seems to be just a familiar emotional story, which is a mainstream social emotional experience.Of course, I have to say that these are also common emotional resonance of human beings.
As the protagonist of the sixth generation of directors,Jia Zhangke shows his unique moral feelings from an objective and dialectical perspective, and stands in the world film forest with his unique film style.
Key Words: Jia ZhangKe; Film Style;Narrative Elements; Character Image; Colour Fundamental Key;
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