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| 套色木刻《遣兴·杂草记》创作感悟 摘 要 本文主要对研究生阶段的版画学习进行回顾与梳理，同样也对自己的毕业创作进行一个解读与总结。选取风景作为创作主体，传达快速发展的世界中对“静”的渴求，引起人们的共鸣。本文以三个方面来进行论述。第一部分是创作理念，主要通过作品的起因来展开。第二部分是创作的方案与实践过程，包含对我有影响的艺术家的生活与创作以及我的创作构思、创作的技法与制作。第三部分是对创作的总结以及对版画的见解。 。 关键词 木版画 风景画 ABSTRACT This paper mainly reviews and sorts out the engraving study in the postgraduate stage, and also interprets and summarizes my graduation creation. The landscape is chosen as the subject of the creation to convey the desirefor "stillness" in a rapidly developing world and arouse people's resonance. This article carries on the elaboration in three aspects.The first part is the creation idea, mainly through the cause of the work to expand.The second part is the creation plan and practice process,including the life and creation of artists who have influenced me, as well as my creation idea, creation techniques and production. The third part is the summary of the creation and the views of the print. KEY WORDS Print Landscape painting |
