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| 《都市光影》——油画中的镜像与倒影研究 摘要 随着中国的都市化进程不断深化，更多的社会现象和城市化问题伴随着多元文化喷涌而来，引起人们关于当下生活体验和自我精神诉求的反思。众多艺术家以此为切入点，借都市背景下的人、物、景展现当前时代精神和社会风貌，在更加贴近人们生活的表现基础上，关注当下人们的生活状态和自我价值的实现历程。 在都市油画中,镜像题材展现出了不可忽视的特殊价值。首先，玻璃幕墙是现代主义高层建筑时代的显著特征，它们逐渐成为繁华都市的形象代言，镜像也逐渐泛化成为当今时代的象征符号。同时“镜”这一介质在油画创作中具有丰富的解读，无论是精神世界与现实社会在镜中折射返照所蕴含的“似真非真”的哲思，还是镜像在画面中打破空间限制的巧妙运用，都有待更深一步的探索。本人的系列油画《都市光影》就是基于此思考展开创作，以都市中司空见惯的玻璃屏为切入点，通过镜像自然的将两个空间的场景展现在一个平面，展现一墙之隔的两侧不同的生活状态，直观透彻地展现城市的多面性和包容性，以期引起人们对城市化现状的关注。对镜像的解读和探索为画面营造了特殊视觉效果，非单一的视角和复杂的空间变化为观者带来别样的趣味性，以期为都市题材油画提供更多的创作思路。 文章分为三个部分，第一部分从油画艺术上史中探寻倒影与镜像的痕迹，从中探索其在画面中的价值和绘画技法；第二部分对本作品中参考作品进行比较分析，学习都市题材中玻璃带来的镜像与倒影的处理手法，第三部分则是对自己作品创作思路和绘画手法的解读。 关键词：镜像；倒影；都市油画 Abstract As China's urbanization process continues to deepen,more and more social phenomena and urbanization problems are coming along with multi-cultural outpourings, causing people to reflect on their current life experiences and spiritual aspirations. Many artists take this as their starting point, using the people,objects and scenery of the urban context to reveal the spirit ofthe times and the social outlook,focusing on the current state of life and the process of self-realization on the basis of expressions that are closer to people's lives. In urban oil painting, the theme of mirroring shows a special value that cannot be ignored.First of all, glass curtain walls are a distinctive feature of the modernist era of high-rise buildings,and they are gradually becoming the image of the bustling city, with the mirror gradually becoming the symbol of the times. At the same time, the medium of "mirror" in oil painting has a rich interpretation,whether it is the spiritual world and the real society in the mirror of the refraction and reflection of the philosophy of "seemingly real but not real",or the clever use of the mirror in the picture to break the spatial restrictions, there is a need for deeper and deeper interpretation. The series of my paintings "Urban Light and Shadow" is based on this thinking.My series of oil paintings "urban light and shadow" is based on this thinking,taking the commonplace glass screen in the city as the starting point,through mirroring the natural scene of the two spaces in one plane,showing the different living conditions on both sides of a wall,intuitive and thorough show the city's multifaceted and inclusive, in order to arouse people's attention to the status quo of urbanization. The interpretation and exploration of the mirror image creates a special visual effect,and the non-single perspective and complex spatial changes bring the viewer a differentkind of interest, in order to provide more creative ideas for urban subject paintings. The article is divided into three parts: the first part explores the traces of reflections and mirrors in the history of oil painting art,and explores their value and painting techniques; the second part compares and analyzes the reference works in this work,and learns how to deal with mirrors and reflections brought by glass in urban subjects; the third part is an interpretation of one's own creative ideas and painting techniques. Key words: mirror image; Reflection; Metropolis oil painting 目录 摘要 ……………………………………………………………………………I Abstract………………………………………………………………………II 第一章 国内外研究现状 ………………………………………………………1 1.1 国内外理论研究现状……………………………………………………1 1.2 油画发展史中的倒影与镜像题材演变…………………………………2 1.2.1油画发展史中倒影处理技法…………………………………2 1.2.2油画发展史中镜子及镜像题材的发展………………………3 第二章 本创作中参考作品比较分析………………………………………5 2.1 理查德·埃斯蒂斯………………………………………………………5 2.2爱德华多·纳兰霍………………………………………………………6 2.3张忆周………………………………………………………………7 第三章 《都市光影》系列油画创作阐述………………………………9 3.1 创作缘起…………………………………………………………………9 3.2 创作解读与分析………………………………………………………10 3.2.1 创作中绘画语言的解读………………………………………10 3.2.2 创作中镜像的解读 ……………………………………………11 3.3 创作难点及克服过程 …………………………………………………12 3.4 创作感悟及收获 ………………………………………………………13 结语 ……………………………………………………………………………15 参考文献 ………………………………………………………………………16 攻读学位期间的研究成果 ……………………………………………………17 致谢 ……………………………………………………………………………18 |
