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| 人物专题片中叙事断点的处理与尝试——以《海岛灵魂的守望者》为例 摘要 本文尝试运用叙事学理论，从人物专题片的入手，结合自身的毕业作品来分析人物专题片叙事中的“断点”现象、产生的机制以及处理办法和新的手法尝试。 本文认为，人物专题片的叙事断点对专题片的制作而言具有很大的挑战与制作空间。人物专题片的“断点”贯穿于制作的始终，这也跟人物专题片的制作者有很大的关系，片场中出现的不稳定因素很多，都会影响到拍摄。人物专题片中出现的的字幕、画面、同期声、背景音乐等都是各种符号，所以我们也可以把人物专题片看做是一个符号的集合体。 人物专题片是对片中主人公所做所想所思的再现，“断点”的出现对人物专题片中的叙事带来了挑战与创新，构成了不同的叙述框架，所以处理好“断点”对人物专题片的叙事以及专题片的质量都具有重要的意义。 本人毕业作品——人物系列专题片《海岛灵魂的守望者》是以海南大学几位退休老教授为主人公，通过对老教授们亲身经历的重现以及访问互动的形式来讲述过去峥嵘岁月与对所在领域的贡献，体现了老一辈学者对学术执着追求的精神以及对海南岛这片故土的热爱。 关键词：叙事学 断点 人物专题片 Abstract This article attempts to use narrative theory, starting with character feature films, and combining with one's own graduation works to analyze the phenomenon of "breakpoints" in the narrative of character feature films, the mechanism, processing methods and new attempts. This article believes that the narrative breakpoints of character feature films pose great challenges and space for the production of feature films. The "breakpoint" of the character feature film runs through the entire production, which also has a great relationship with the producer of the character feature film. There are many unstable factors in the set that will affect the shooting. The subtitles, pictures, simultaneous sound, background music, etc. that appear in the feature film of the character are all symbols, so we can also regard the feature film of the character as a collection of symbols. The character feature film is a reproduction of the protagonist’s thoughts and thoughts in the film. The emergence of "breakpoints" brings challenges and innovations to the narrative in the character feature film, and constitutes a different narrative framework, so handle the "breakpoints" "It is of great significance to the narrative of the character feature film and the quality of the feature film. My graduation work-the character series "The Catcher of the Soul of the Island" is based on several retired old professors of Hainan University. It tells the past tragic years and years through the recurrence of the old professors' personal experience and the interactive form of interviews. The contribution to the field reflects the older generation of scholars' persistent pursuit of academic spirit and their love for the homeland of Hainan Island. Keywords: narratology, breakpoint, character feature film 目录 1.引言1 1.1选题的背景1 1.2国内外现状1 1.2.1国外现状2 1.2.2国内现状2 1.3选题的目的和意义3 1.3.1选题目的3 1.3.2选题意义3 2.人物专题片概述4 2.1概念界定4 2.1.1什么是人物专题片？4 2.1.2人物专题片与人物纪录片的区别4 2.2人物专题片的文化价值4 3.人物专题片的叙事结构与叙事技巧6 3.1人物专题片的叙事结构6 3.1.1中心串联式叙事结构7 3.1.2板块并列式叙事结构7 3.2人物专题片的叙事技巧7 3.2.1设置悬念 有条不紊7 3.2.2把握节奏 收放自如8 3.2.3注重细节 层次丰富9 4.人物专题片中的叙事断点11 4.1何为“断点”11 4.2断点的分类11 4.2.1主人公的经历12 4.2.2突发事件12 4.2.3需要阐明的时代背景12 4.2.4隐秘发生的事实12 4.3断点的功能13 5.叙事断点的处理方法——以毕业作品《海岛灵魂的守望者》为例14 5.1人物专题片叙事断点的处理步骤14 5.1.1记录与梳理14 5.1.2制作与表达14 5.1.3处理与创新15 5.2人物专题片处理叙事断点的启示18 5.3《海岛灵魂守望者》的不足之处18 结语20 参考文献20 致谢21 |
