| 以下仅列出文章摘要、目录等部分内容，如需获取完整论文资料，或原创定制、长期合作，请随时联系。 微信QQ:312050216 |
 |
 |
| 阐述雕塑的纵深感 摘 要 几千年来中国雕塑与中国传统绘画都是两种迥然不同的艺术种类。 在相同的文化背景，历史变迁下又促进了两者之间的紧密联系。 众所周知，在我国由于历史源远流长，人们看待人文， 社会和自然等的角度非常深刻，也就诞生了一些画家， 而画家通过观察自然去描绘客观真实的物像， 同时通过山水画的意境去表达内心的情感， 山水画的意境因此也是画家的一种思想上的升华与情感的表现。 抛开情感不谈，山水画的意境在视觉上给人的视觉感受为什么是如此的深远， 通过观察研究这其中的因素则是在作画过程中画面不同层次的渲染， 白底之间的间隔和黑白之间的过渡， 以及最重要的是通过墨迹的浓厚表现出景象的虚与实以及远与近， 因此山水画的意境就被传达到观者的视线中了。 二维平面的山水画通过一系列的元素表现出深远的纵深。 通过对影响山水画意境的元素去探索这些元素对雕塑空间的纵深感的影响， 进一步来引出雕塑纵深感表现手法的多样性。 本文共分为五部分，第一部分为引言，主要包括本课题的选题目的，研究意义， 以及实际应用价值。 第二部分主要阐述雕塑纵深和雕塑空间，区分两者之间的关系。 举了《五四运动》的浮雕这个例子进一步去探索雕塑的纵深感。 第三部分则是简述中国山水画中的意境与传统雕塑的纵深。 画家对山、石、水、树， 等自然景物作为构图的元素进行整体规划营造出山水画画面的和谐关系， 突出在二维平面中创造更深远的纵深意境。 接下来就是对雕塑纵深的解答，通过对雕塑如大型雕塑群的兵马俑， 小型雕塑群的随葬俑， 佛教雕塑的四大石窟和庙宇中的彩绘泥塑、木 雕以及具体的举了五代时期的彩绘浮雕来进行对雕塑纵深的说明， 进一步得出两者之间的某种联系。 第四部分则是分析哪些方面影响雕塑的纵深，总结出以下三方面， 首先是色彩的错觉传达，然后是雕塑螺旋式和旋转式的形体扭曲， 最后是雕塑空间的穿插，这几个方面都会影响到雕塑的纵深程度。 第五部分则是通过我对毕业创作的分析来论述雕塑纵深对创作的运用。 关键词：雕塑； 山水画； 意境； 纵深； 多样性； Abstract For thousands of years, Chinese sculpture and Chinese traditional painting are two very different kinds of art. Under the same cultural background, the historical changes promoted the close connection between the two. As is known to all, because has a long history in our country, people think about the humanities, social and natural point of view is very profound, also was born some painters, and painter by observing nature to describe the objective real image, at the same time, through the artistic conception of landscape painting to express the inner feelings, the artistic conception of landscape painting, therefore also is a kind of thought of the painter's sublimation and the emotion performance. Regardless of the emotion, the artistic conception of landscape painting of the person gives on the vision of why the feeling is so profound, through the study of these factors are in the process of painting pictures, different levels of rendering the transition between the gap between the white and black and white, and the most important thing is that through thick ink show the scene of virtual and real, and far and near, therefore the artistic conception of landscape painting was to convey to the viewer's eye. The two-dimensional landscape painting shows profound depth through a series of elements. Through the influence of landscape painting artistic conception elements to explore the impact of these elements on the depth of sculpture space, further leads to the diversity of the depth of sculpture expression techniques. This paper is divided into five parts. The first part is the introduction, mainly including the purpose of the topic, research significance, and practical application value. The second part mainly elaborates the sculpture depth and sculpture space, and distinguishes the relationship between them. Taking the relief sculpture of the May 4th Movement as an example to further explore the depth of sculpture. The third part is a brief description of the artistic conception and the depth of traditional sculpture in Chinese landscape painting. The painter uses mountains, stones, water, trees and other natural scenery as the elements of composition for overall planning to create a harmonious relationship between landscape paintings, highlighting the creation of a more profound artistic conception in the two-dimensional plane. Next is the sculpture in depth answers, through to the sculpture, such as large-scale sculpture group of the Terra Cotta Warriors, small sculpture group structures of the figurines, buddhist sculpture of coloured drawing or pattern of the four big temple grottoes and clay sculpture, wood and concrete for the relief of coloured drawing or pattern from the five dynasties period for the sculpture in depth, it is concluded that the some connection between the two further. The fourth part analyzes which aspects affect the depth of the sculpture, and summarizes the following three aspects: the first is the illusion of color transmission, the second is the spiraling and rotating form distortion of the sculpture, and the last is the interspersion of the sculpture space. All these aspects will affect the depth of the sculpture. The fifth part is to discuss the application of sculpture depth to creation through my analysis of graduation creation. Key words: sculpture; Landscape painting; Artistic conception; In depth; Sense of sample; |
