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| 浅谈中国作品钢琴化演奏风格——以钢琴曲《筝箫吟》为例 摘 要：从1949年到1976年，中国正处于新中国成立到文化大革命这一阶段。这一时期，中国钢琴作品的创作空前繁荣，风格也是各具特色。这一时代的作曲家致力于民族化音乐与钢琴音乐的融合，创作出一大批具有民族特色的钢琴作品，大致可以分为以原有民歌、古曲、戏曲等改变的钢琴曲，和根据我国音乐或乐器特点创作出的钢琴曲，将本文通过分析我国近现代作曲家储望华先生创作的《钢琴前奏曲六首》中的《筝箫吟》为例，从民族调式和音响效果两方面，论述中国民族音乐钢琴化的特点，并客观分析中国民族音乐钢琴化的过程中出现的问题，以供作曲爱好者们参考。 关键词：中国作品钢琴化，演奏风格，《筝箫吟》 Introduction to Chinese piano works play style ——— For the Piano music "Zheng xiao Yin" for example Abstract: From 1949 to 1976,China was in the stage of the founding of new China to the cultural revolution. During this period, the creation of Chinese piano works has never been more prosperous, and its style has its own characteristics. In this era of the fusion of music and piano music composer, is committed to the nationalization,to create a large number of piano works with national characteristics,can be roughly divided into the original folk songs, living museum,opera, such as change of piano music,and according to our country to create piano music or instrument characteristics, will be based on the analysis of China's modern composer Mr ChuWangHua "the piano preludes six" in "Zheng xiaoYin " as an example, from two aspects of national mode and sound effect, the characteristics of Chinese national music piano are discussed, and an objective analysis of China's national issues during the process of piano music, in order to reference for music lovers. Key words: Chinese Painting Piano, Playing Style, "Zheng xiaoYin " |
