摘 要

夏尔·弗朗索瓦·古诺是出生于法国的著名作曲家,他谱写的抒情歌剧《浮士德》在法国歌剧史上具有重要的意义。受到了各个国家的作曲家、演唱者和音乐爱好者的认同与推崇。不仅使他成为了创造歌剧新语汇的巨匠,而且牢牢奠定了古诺歌剧学派的创始人地位。本文选择了此歌剧中最为著名的咏叹调唱段《珠宝之歌》作为了研究主线,从研究分析歌剧背景入手,结合了音乐分析,作出全方位、深层次的论述，并且仔细地分析了此曲的演唱处理。

本文通过对古诺的歌剧及其咏叹调珠宝之歌的音乐研究，真诚的希望它可以为这首作品的演唱者提供有用的帮助。

关键词：古诺歌剧；《珠宝之歌》；《浮士德》；音乐分析；演唱处理

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Abstract

Charle Francois coureau is a famous composer born in France.His lyric opera Faust has great significance in the history of French opera.It has been recognized and praised by composers, singers and music lovers in various countries.Not only made him a great craftsman in creating new opera vocabulary, but also established the founder of the Cournot School of opera. This paper chooses the most famous aria in this opera, "the song of jewelry" as the main line of research. Starting from the research and analysis of the opera background,combined with music analysis,the paper makes a comprehensive and deep-seated discussion, and analyzes the singing treatment of the song carefully.

This paper, through the music research of the opera and the aria of the jewelry song of Cournot, sincerely hopes that it can provide useful help for the singer of this work.

Key words: Cournot opera; song of jewels; Faust; music analysis; singing treatmentII