摘 要

徐振民，我国当代著名作曲家，在国内、国际乐坛都具有一定的影响力。他的创作体裁广泛，其中以管弦乐作品影响力最为广泛、且成就最高。1996年，举国翘首期盼香港回归祖国，他创作了交响序曲《华夏颂》作为送给伟大祖国的“颂歌”，是一部兼具民族性与现代性的作品，表达了对祖国的挚爱之情，同时也寄托了对祖国未来的美好憧憬。次年，该作品在文化部等六单位举办的“迎接香港回归作品征集”活动中获奖。本论文试从《华夏颂》的结构形态、和声手法、音色布局三个方面对其作曲技法进行分析。

在结构形态方面，重点分析作品的曲式结构形态及其内部结构中主题旋律发展、节奏节拍、速度力度几种因素中所体现出的对比、统一与发展的三部性结构原则，以及几者对整体结构划分所起到的重要作用。在和声手法上，将传统功能和声与以色彩性为主的非功能和声相结合，并融入线性思维、复合思维的和声手法，既有对传统的继承，又有对当代和声的借鉴与创新，使作品兼具民族性与现代性。在音色音响的塑造及织体形态方面，作曲家对音响材料的精密布局设计、对不同乐器组的精心安排，尤其是对木管音色及加用弱音器的铜管音色的重用，笔者把其比拟为中国传统乐器梆笛、曲笛的音色，极其贴合《华夏颂》所要向听众传达的民族化意境。

通过对该作品的分析研究，旨在获取《华夏颂》的创作特色以及所代表的当代东方文化下孕育的作曲理念，同时可以为作曲专业学习者创作交响乐创作提供一些启发，也为相关学者研究徐振民及其同时代、同类型作曲家的作曲技法提供一份参考。

关键词：徐振民，交响序曲，华夏颂，作曲技法

ABSTRACT

Xu Zhenmin, a famous contemporary composer in China,has a certain influence in the domestic and international music circles. He has a wide range of creative genres,among which orchestral works are the most influential and the most successful. In 1996, the whole country was looking forward to the return of Hong Kong to the motherland.He composed the symphonic overture "Ode to China" as an "ode to the great motherland".It is a work of both nationality and modernity, expressing his love for the motherland.Love, but also a beautiful vision for the future of the motherland.In the following year, the work was awarded in the "Collection of Works to Welcomethe Return of Hong Kong" organized by six units including the Ministry of Culture. This thesis tries to analyze the composition techniques of "Ode to Hua Xia" from three aspects: its structure, harmony technique and timbre layout.

In terms of structural form, it focuses on the analysis of the compositional structure ofthe work and the three-part structural principles of contrast,unity and development embodied in the theme melody development, rhythm and rhythm, speed and strength in the internal structure, and several It plays an important role in the division of the overall structure. In the harmony technique, the traditional functional harmony is combined with the non-functional harmony mainly based on color, and the harmony technique of linear thinking and compound thinking is integrated, which not only inherits the tradition, but also has the contemporary harmony. The reference and innovation of the works make the works have both nationality and modernity.In terms of the shaping of sound and texture,the composer’s precise layout design of soundmaterials and the careful arrangement of different instrument groups,especially the reuse of wood pipe timbre and copper pipe timbre with mute, the author compares them The timbre of the Chinese traditional musical instruments Bangdi and Qudi fits perfectly with the national artistic conception of "Ode to China" to convey to the audience.

Through the analysis and research of this work,the aim is to obtain the creative characteristics of "Ode to China" and the composition concept bred in the contemporary oriental culture represented, and at the same time, it can provide some inspiration for the composition professional learners to create symphony creation, and also provide research for related scholars. The composition techniques of Xu Zhenmin and his contemporaries and composers of the same type provide a reference.

KEY WORDS: Xu Zhenmin, Symphonic Overture, Ode to Hua Xia, Composition Techniques