摘 要

本篇论文的写作是基于笔者硕士中期音乐会。主要是从音乐会曲目的整体构思、音乐会作品演唱与分析、音乐会的收获与感悟三个主要部分来进行阐述和总结。论文对音乐会的整体论述，使笔者对所演唱的曲目有了更全面的了解，对本场音乐会的总结和反思。

本篇论文主要由:音乐会曲目的整体构思、音乐会作品演唱与分析、音乐会的收获与感悟三部分构成。音乐会曲目的整体构思主要论述在选择声乐作品上是以自身演唱能力、声音条件以及对不同风格声乐作品的把握能力进行选定以及确定演唱顺序。音乐会作品演唱与分析，在所演唱作品中选择了部分曲目来进行分析，本部分是本篇论文的重点。论文的最后部分是对本场音乐会的总结和收获，分析在音乐会进行中所出现的问题以及举办音乐会的感悟。本论文是以笔者的专业实践为基础，理论结合实践，为今后笔者在声乐表演的道路上提供了详细的理论剖析，为今后声乐学习打下理论基础。

关键词：中国艺术歌曲，演唱分析，音乐情绪，感悟与收获

ABSTRACT

The writing of this thesis is based on the author’s mid-term concert.Mainly from the overall idea of the concert program,the concert works singing and analysis, the concert harvest and perception of the three main parts to elaborate and sum up. The paper on the concert as a whole,so that the author of the song has a more comprehensive understanding of the concert and the sum-up and reflection.

This paper is mainly composed of three parts: the overall conception of the concert program,the performance and analysis of the concert works, and the harvest and perception of the concert. The whole conception of the concert program mainly discusses the selection andorder of the vocal music works according to the ability of singing,the condition of sound and the ability of grasping the vocal music works of different styles. The concert work sings with the analysis,has chosen the partial program to carry on the analysis, this part is this article Key Point. The last part of the paper is the summary and harvest of the concert,the analysis of the problems in the concert and the perception of the concert. This paper is based on the author’s professional practice, theory combined with practice,for the future of the author in the vocal music performance on the road to provide a detailed theoretical analysis, lay a theoretical foundation for future vocal music learning.

Key Words: Chinese art songs, singing analysis, music emotion, perception and harvest