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| 论扬琴曲《林冲夜奔》中昆曲元素的运用及演奏 论文摘要 扬琴起源于中亚及波斯国地区，后传入中国。在我国经过几百年的发展与研究，我国扬琴已经形成了独具中国特色的一门艺术，融入了我国的精华以及民族特色。《林冲夜奔》是一首有“标题”并以“戏剧情节”为背景的大型扬琴独奏作品。本文通过对作品的深入分析研究其昆曲元素在此扬琴作品中的运用，是必要且对之后创作扬琴新曲目有借鉴学习意义，对演奏者精准表达作品情感有重要的指导性作用，同时注意将扬琴作品与昆曲元素紧密联系在一起，有利于弘扬中 国传统文化，且对于扬琴作品中对于民族音乐元素有着重要的影响。 关键词：《林冲夜奔》；昆曲元素；《宝剑记》；创作特点 Abstract The dulcimer originated from Central Asia and Persia and was introduced into China.After hundreds of years of development and research in China,China's dulcimer has formed a unique Chinese characteristics of art, into the essence of our country and national characteristics.Lin Chong Night Run is a large-scale dulcimer solo workwith a "title" and a "dramatic plot" as the background.The work based on in-depth analysis and research of the kunqu elements in the application of the dulcimer works, it is necessary and for after yangqin new repertoire has learned the meaning,the expression of players precision work emotions have important guiding effect,at the same time pay attention to the dulcimer works and kunqu elements closelylinked, to carry forward the Chinese traditional culture, and for yangqin works for national music element has an important influence. Key Words:《The Night Run of Chong Lin》；Kunqu elements；《Story of the Sword》；Creation characteristic 目 录 论文摘要..........................................................1 Abstract..........................................................2 绪 论............................................................3 1、 创作背景......................................................4 （一）曲作者--项祖华..............................................4 （二）故事背景简介................................................4 二、昆曲音乐与昆曲《夜奔》........................................4 （一）昆曲音乐的主要介绍..........................................4 （二）昆曲《夜奔》的主要构成......................................5 三、《林冲夜奔》中昆曲音乐元素的体现..............................6 四、《林冲夜奔》的创作特点........................................9 结 语............................................................12 参考文献..........................................................13 致 谢............................................................14 |
