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舞蹈的二次创作——以《渔光曲》为例

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舞蹈的二次创作——以《渔光曲》为例

摘要


一个舞蹈作品的形成离不开编剧导演的编创与舞蹈演员的肢体和情感表演,两者之间是相辅相成的。舞蹈演员作为一个有思想、有情感的人。在学习动作的过程中舞蹈演员就要进行二次创作了,通过肢体语言来表达舞蹈的感情。二次创作既可以丰富作品的内容、人物的情感更加能够展现舞蹈演员独有的舞台魅力。

本文从舞蹈作品的二次创作作为出发点,来分层次的讲述舞蹈的二次创作的问题。首先本文的第一部分先说明了二次创作是什么;第二部分分析了舞蹈演员与舞蹈作品之间的关系;第三部分以舞蹈作品《渔光曲》为是实例来探讨舞蹈演员二次创作的重要性。

关键词:二次创作,舞蹈演员,表演

Abstract

The formation of a dance work is inseparable from the choreographer's creationand the dancer's physical and emotional performance, which complement each other. As a dancer with thoughts and emotions.In the process of learning the movements,the dancers have to create a second time, and express the feelings of the dance through body language. The second creation can not only enrich the content of the work,the emotion of the characters, but also show the unique stage charm of the dancers.

This article from the secondary creation of dance works as a starting point, to tell the secondary creation of dance in different levels. First of all, the first part of this paper first explains what the second creation is;the second part analyzes the relationship between dancers and dance works;the third part takes the dance work "yuguangqu" as an example to discuss the importance of dancers' second creation.

Key word: Second creation;Dancers;perform