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| 当代文学性绘画创作方法论与精神内核 摘要 本文基于作者对文学性绘画的个人兴趣，对文学性绘画进行了理论研究与实践记录。从文学性绘画的定义出发，我讨论了中国画中的“书画合一”传统与近代西方非写实绘画的兴起，对绘画行了“纯粹绘画”与“文学性绘画”的区分。通过对小说这一特定文学体裁的分析，我将文学性绘画创作中的塑造手法、时间规则、空间规则对应小说创作的三要素：人物、情节、环境，提出了文学性绘画创作的具体方法论。 在本文的后半部分，我讨论了悲剧主题在文学性绘画中占据的主导地位，以及尼采哲学中的酒神精神对于艺术创作、尤其是悲剧文学性绘画创作的影响。对这一绘画类型的典型案例——希腊悲剧主题绘画进行了具体分析。 最后，我阐述了本人基于本文提出的文学性绘画创作方法论与精神内核进行的毕业创作过程。通过对博斯《人间乐园》的分析与学习，我创作了毕业作品《现代悲剧图鉴》。 关键词：绘画 文学 文学性 小说 创作 Abstract Based on the author's personal interest in literary painting, this paper makes a theoretical study and a practical record of literary painting. Starting from the definition of literary painting, I discussed the tradition of "the unity of Calligraphy and painting" in Chinese painting and the rise of modern Western non-realistic painting and distinguished between "pure painting" and "literary painting" in painting. Through the analysis of the novel as a specific literary genre, I put forward the specific methodology of literary painting creation by corresponding the shaping techniques, time rules and space rules in literary painting creation to the three elements of novel creation: characters, plots, and environments. In the next part of this paper, I discuss the dominant position of tragedy theme in literary painting, and the influence of Dionysian spirit in Nietzsche's philosophy on artistic creation, especially the creation of tragic literary painting. This paper makes a concrete analysis of the typical case of this painting type -- the Greek tragedy theme painting. Finally, I elaborated my graduation creation process based on the literary painting creation methodology and spiritual core proposed in this paper. Through the analysis and study of Bosch's Paradise on Earth, I created my graduation work A Guide to Modern Tragedy. Key words: Literary painting；three elements of fiction； tragedy,；Dionysian |
