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| 《尘埃落定》中主角人物形象研究 摘 要 《尘埃落定》是少数民族作家阿来的长篇小说作品之一，曾获第五届茅盾文学奖。 根据小说改编的同名二十集影视剧， 曾获第二十一届“金鹰奖”优秀长篇连续剧等多项奖项。 阿来在《尘埃落定》中描绘了一幅康巴藏族土司兴衰发展的画卷， 通过对藏族地区麦其土司家个人与民族相交织的家族血泪史， 为藏民社会的成长史提供给了一个侧写，蕴含大量藏族特有的文化基因。 阿来在小说文本中塑造了一个“我”的形象， 通过这个“我”这个傻子形象将诸多特殊的生命体验诉诸笔端。 生活苦乐、往来成败、祸福得失、前后利害、善恶美丑， 都成为了“我”的伴生经历。 同时，阿来借一位民族智者的口吻对“权本位”的价值观体系进行反省， 从多种价值观念的激烈冲突中展现叙事主体历史方位感的迷乱， 展现特殊社会对人性的异化与扭曲，进而将特定民族的精神生态纳入审视范围。 仅从这一层面来说，阿来通过《尘埃落定》， 从人文精神和社会契约的角度隐秘地表现了这部作品的时代价值。 《尘埃落定》描绘了一个四处洋溢着藏族神秘、自由、奔放的气质的小世界， 人性的复杂与多面则通过“我”单纯而明净的视角展现出来， 同时直观地向读者展示了藏族民俗风情、地域文化和精神世界。 《尘埃落定》扎根于西藏本土的文化血脉， 本文将对小说文本结构层面的叙事特点及关键 人物（麦其土司家的二儿子）进行简要分析， 探究藏族文学认知背景下的人物特色。 关键词：阿来； 《尘埃落定》； 傻子形象； 文学分析 A Study on the Characters of the Protagonists in "Dust Settled" Abstract "Dust Settled" is one of the novels of ethnic minority writer Alai, who won the Fifth Mao Dun Literature Award. Based on the novel adaptation of the 20-episode film and television series of the same name, he has won many awards including the 21st "Golden Eagle Award" for outstanding feature-length series. Alai painted a picture of the rise and fall of the Tibetan chieftain of the Khampa in "Dust Settled". Through the intertwined family history of blood and tears of the Maiqi chieftain family in Tibetan areas, it provided the history of the growth of the Tibetan society. A profile contains a lot of cultural genes unique to Tibetans. Alai has created an image of "I" in the text of the novel. Through this fool image of "I", he has appealed to many special life experiences. The joys of life, the success or failure of the exchanges, the gains and losses of misfortunes, the advantages and disadvantages before and after, the beauty and ugliness of good and evil, have all become the accompanying experiences of "I". At the same time, Alai used the tone of a national wise man to reflect on the "right-based" value system, showing the confusion of the historical position of the narrative subject from the intense conflict of multiple values, and showing the alienation and distortion of human nature by the special society , And then bring the spiritual ecology of a specific nation into the scope of scrutiny. From this level alone, Alai uses "Dust Settled" to secretly express the value of this work from the perspective of humanistic spirit and social contract. "Dust Settled" depicts a small world filled with the mysterious, free, and unrestrained temperament of Tibetans. The complexity and multifacetedness of human nature are shown through the simple and clear perspective of "I". At the same time, it intuitively shows the readers the Tibetan folk customs. Customs, regional culture and spiritual world. "Dust Falling Down" is rooted in the native Tibetan culture. This article will briefly analyze the narrative characteristics of the novel text structure and the key characters (the second son of the Maiqi Tusi family), and explore the characteristics of the characters under the background of Tibetan literary cognition. Keywords:Alai; "Dust Settled"; the image of a fool; literary analysis 目 录 一、引言 1 二、阿来《尘埃落定》简析 1 （一）阿来 1 （二）《尘埃落定》 2 三、阿来《尘埃落定》主角傻子形象分析 2 （一）傻子的一生概述 2 （二）“傻子”傻气的来源 3 （三）“傻子”愚钝的爱情 4 （四）“傻子”非愚的智慧 4 四、试析《尘埃落定》傻子形象的由来 5 （一）现实生活的影响 5 （二）仁慈心理的折射 6 （三）佛教因果的思考 7 总结 7 参考文献 9 |
